Best Bengali Movie, Best Bengali Documentary Movie Sahaj Paather Gappo

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4.8

Summary

Another beautiful creation of Bibhutibhushan Bandyopadhyay well narrated and presented with superb cinematography and emotions by Mr. Manas Mukul Pal, a director born in ages. Enjoy the Movies Release Video With Us and enjoy the movie in a Theater near your home. Applauded by many and awarded by the leaders across the world See Bengali Movie Industry Celebrating Sahoj Pather Gappo Across all the barriers.

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Best Bengali Movie Sahaj Pather Gappo will enchant your thought and take to the land of emotion and imagination of a child. the story of two children narrated in a movie we move to the childhood of Mr. Manas Mukul Pal, his father gifted him an accumulation of short tales by Bengali author Bibhutibhushan Bandopadhyay. Every week, his father would read to him from this. Among the stories in the collection that remained with Pal was Talnabami, which taken the innocence of childhood. Pal stored the stories and, years later, when his career started as an actor though not quite satisfied, he adapted those stories into his first feature film. Entitled Sahaj Paather Gappo (Colours of Innocence), the movie is among the two Indian films within the “International Competition” for the Worldwide Film Festival Asia (IFFI), Goa.

 

The storyline involves two young siblings, Gopal and Chhottu, who remain active regardless of the hardships the family undergoes when their father meets an accident. The initial story is of three pages and adapting it right into a script for any 86-minute movie wasn’t easy. The show utilizes a Bengali dialect that’s spoken in the western world of Bengal & Bangladesh border region. “My mother, who comes from that area, speaks this dialect, which has an inherent sweetness. Those who talk in chaste Bengali tend to look down upon this dialect as the language of rustic folks,” states Pal, who resides in Barasat, around the borders of Kolkata.

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As a kid, Pal thought about being an actor. “All I was getting, however, were bit roles in Bengali movies,” he states. Pal started the career win a Kolkata based NGO and teaching in a school in Shyambazar. Throughout his days as a teacher, he’d frequently take notice of the children residing in a neighboring slum. “In spite of poverty, they seemed happy. I loved their free spirit and positive attitude. Watching them reminded me of the two brothers in Talnabami, who always bounced back after every setback and cheered each other up,” states Pal, that has didn’t have formal learning filmmaking.

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For that movie’s authenticity, it had been essential to cast children who spoke the dialect coupled with the body gestures of rural people. Pal visited numerous schools in North 24-Parganas district. And he spotted Nur Islam and Samiul Alam, who play Chhotu and Gopal, correspondingly, convincing to them act needed lots of cajoling as well as an eight-month-lengthy preparation.

Sahaj Paather Gappo joins films, for example, Sairat (Marathi) and Thithi (Kannada), that have explored rural locations for motion picture movies. Filmed around, West Bengal’s Bolpur, the show captures the good thing about rural Bengal. “I made multiple trips to this place in 2014. I used to hire a ‘toto’ (battery-operated auto rickshaw) and explore the areas in and around Bolpur. I made mental notes of locations as well as photographed them,” states Pal. He shot the show in three schedules – throughout the monsoon, fall and late winter. A few of the nature shots, such as the last scenes once the two siblings are lying within the Akash fields and looking for the flight of wild birds, were taken by cinematographer Mrinmoy Mondal on Piyali Island within the Sunderbans.

As you’re watching the movie, a feeling of deja vu is unavoidable. The innocent brothers and sisters, the beautiful but harsh rural existence and also the landscape help take us to the world of Satyajit Ray’s Pather Panchali (1955), which is dependant on Bandopadhyay’s novel through on the same note. Although he shrugs off any connection with Ray and states “These similarities exist probably because both the films have been adapted from the stories by the same author.”

Sahaj Paather Gappo provides a contemporary touch towards the legendary author’s story. The majority of individuals changes, for example, references to mid-day meal, education and Mithun Chakraborty’s recognition among rural viewers, assist the narrative through some changes strike a jarring note. It is among the couple of Indian movies that narrates a beautiful story of two children, who exude optimism.

Article’s Content Source: Indianexpress